For research for the interview the editors Linda Loenen and Helma Bongenaar visited my studio. It is about communication, Mail-Art and my Graphic Scores 25 th of November
F.l.t.r. Helma, Linda and me with Mail-Art
Interview Sentimental Journey
Interview Mail-Art
For the new magazine Sentimental Journey the founders Linda Loenen and Helma Bongenaar came over to my studio for some research. I showed them my Mail-Art archive and my graphic scores. Both art forms started in the 50 tees and still have my interest.
Ulises Carrion and me
It’s been quit a while since I was an active mail-art artist. I worked in Other Books And So with Ulises Carrión (his picture on the wall of my studio) and had my share of books, stamps, exhibitions etc.
These questions came in my mind: what is the meaning of mail art nowadays. Esp. in relation to all the communication we already have?
What does it do to for you?
Are there big players?
How does it work today?
How does mail art relate to other artforms?
Graphic score
Graphic score. Triptych: The land, The lockdown, The revelation. Composition Reniet Vrieze (Pilgrims) voice Moi. Score: Henk Fakkeldij.
Listen on YouTube 💝
Graphic score: The Universe
Triptych graphic score: The universe part 1 & part 2 & and (what a surprise 🤗) part 3
Graphic score Reniet Vrieze
What a great soundscape by Reniet Vrieze (from the Pilgrims), based on my score The Land, the Lockdown, The revelation.
Graphic score: The Universe
Triptych graphic score: The universe part 1 & part 2 & and (what a surprise 🤗) part 3
Composition Thomas Geerts on my Graphic score
What a great beautiful composition Thomas Geerts made based on my graphic score: Back to Cranesley/The kiss
Graphic score: Back to Cranesley/The kiss
What a great beautiful composition composers Thomas Geerts created based on my graphic score: Back to Cranesley/The kiss
Interview Amsterdam Museum
The prgram of the 6 hours broadcast on Salto and stream. Looking forward to create something nice. Lots of work by the crew. Thanks! 👍🏽
Amsterdam Museum
